產å“觸覺æ„象的探討ï¼ä»¥æ¡æ¯ç‚ºä¾‹ / A Study on Tactile Image of Products -- Using Handleless Cups as a Case Study

莊明振 Mingchuen Chuang, 陳勇廷 Yungting Chen, 張耀仁 Yaojen Chang

摘要


本研究目的在探討人們å°ç”¢å“觸覺æ„象感å—的因素,åŠå½±éŸ¿å„因素的造形特徵è¦ç´ ï¼Œä¸¦å»ºæ§‹ä¸åŒè§¸è¦ºæ„象產å“的風格類型。研究以26 å€‹æ¡æ¯12 組形容進行SD èª¿æŸ¥ï¼Œå—æ¸¬è€…å…±30 人,男女å„åŠï¼Œçš†ç‚ºè¨­è¨ˆç ”究生。以因素分æžç²å¾—三種主è¦çš„觸覺æ„象因å­ï¼šå¤–顯性因å­ã€è¦ªå’Œæ€§å› å­èˆ‡é‡æ„Ÿåƒ¹å€¼å› å­ã€‚之後é…åˆç”¢å“的物ç†ç‰¹å¾µåˆ†æžï¼Œä»¥ç›¸é—œåˆ†æžç²å¾—æ„象因å­èˆ‡ç‰¹å¾µçš„相關性並加以分類。其中影響外顯性因å­çš„特徵為凹凸è½å·®ï¼Œç¨‹åº¦è¶Šå¤§è£é£¾æ€§è¶Šå¼·ï¼›å½±éŸ¿è¦ªå’Œæ€§å› å­çš„æ˜¯å°Žç†±æ€§èˆ‡å¹³æ»‘度,越溫暖ã€ç²—ç³™ï¼Œå‰‡è¦ªå’Œæ€§è¶Šå¼·ï¼›å½±éŸ¿é‡æ„Ÿåƒ¹å€¼å› å­çš„ç‚ºå‰›æ€§å¼·åº¦ï¼Œè¶Šå …ç¡¬é‡æ„Ÿåƒ¹å€¼è¶Šå¼·ã€‚最終以K-means 集群分æžç™¼ç¾äººå€‘å°ç”¢å“的觸覺æ„象風格類型分別為:高價值感風格ã€è£é£¾é¢¨æ ¼ã€æ¨¸å¯¦é¢¨æ ¼ã€æº«åŽšé¢¨æ ¼ï¼Œä»¥åŠç„¡æ˜Žé¡¯é¢¨æ ¼ç‰¹å¾µç­‰äº”ç¨®ã€‚æœ¬ç ”ç©¶ä¹‹çµæžœå¯ä½œç‚ºæ—¥å¾Œç›¸é—œç ”ç©¶çš„åŸºç¤Žï¼ŒåŒæ™‚也å¯å”åŠ©ä¼æ¥­èˆ‡è¨­è¨ˆå¸«ï¼Œé€²è¡Œåˆé©çš„產å“觸覺設計。


 

The aim of this study is to investigate the main factors of tactile image felt on a product and which form properties will influence these tactile image factors, then, to classify products into different tactile image styles. Thirty subjects (15 males and 15 females, and all of them are master students of design) were recruited in this study to make the semantic differential evaluation with 12 image word pairs on 26 cups. Factor analysis was conducted on the collected data to reveal three main factors of tactile image of products, which are decorative factor, affinitive factor and quantity factor. The relation between factors and form features of cups was examined by correlation analyses. It was found that the external factor was affected by the feature of bump and gap of cup; the affinitive factor was affected by the feature of smoothness and temperature of cup; the quantity factor was affected by the feature of rigidity of cup. Finally, we categorize five tactile-image styles by using cluster analyses (K-means) which are decorative, quantity, simple, gentle and none image styles. The results of this study can help designers to design products with demanded style of tactile image. 


關鍵詞


感性工學; 觸覺意象; 造形特徵; 因素分析; SD調查

全文:

PDF

參考文獻


Hinckley, K. and Sinclair, M. (1999). Touch-sensing input devices. Proceedings of the SIGCHI conference on Human factors in computing systems: the CHI is the limit. Pittsburgh, Pennsylvania, United States: ACM, pp.223-230.

Berger, A., 1989, Seeing is beliving, CA: Mayfilel.

Breckler, S.J. and Wiggins, E.C., 1991. Cognitive responses in persuasion: Affective and evaluative determinants. Journal of Experimental Social Psychology, vol.27 (2), pp.180-200.

Harding, J. (2004). Medical encyclopaedia: Aging changes in the senses. Available at

http://www.nlm.nih.gov/medlineplus/ency/article/004013.htm.

Lederman, S.J. and Klatzky, R.L., 1987. Hand movements: A window into haptic object recognition. Cognitive Psychology, vol.19 (3), pp.342-368.

Millar. M. G., Tesser, A. (1986). Thought-Induced Attitiude Change: The Effects of Schema Structure and Commitment. Journal of Personality and Social Psychology, Vol.51, pp.259-269.

Peck, J., & Childers, T. L. (2003). Individual differences in haptic information processing: The “need for touch†scale. Journal of Consumer Research, 30(3), 430-442.

Peck, J., & Childers, T. L. (2006). If I touch it I have to have it: Individual and environmental influences on impulse purchasing. Journal of Business Research, 59(6), 765-759.

Schifferstein, H. N. J. (2006). The perceived importance of sensory modalities in product usage: A study of self-reports. Acta Psychologica, 121(1), 41-64.

張春興 (2009)。ç¾ä»£å¿ƒç†å­¸ï¼šç¾ä»£äººç ”究自身å•題的科學,æ±è¯å‡ºç‰ˆç¤¾ï¼Œè‡ºåŒ—。

林寶蓮 (2001)ã€‚é€ å½¢ä¹‹è¦–è¦ºèˆ‡è§¸è¦ºæ„è±¡ç ”ç©¶â”€ä»¥å¡‘è† å®¹å™¨å½¢æ…‹ç‚ºä¾‹ï¼ŒéŠ˜å‚³å¤§å­¸è¨­è¨ˆç®¡ç†ç ”究所碩士論文。

張粧亭 (2005)。觸覺在概念模型中的幾個ç¾è±¡ã€‚åœ‹ç«‹äº¤é€šå¤§å­¸å»ºç¯‰ç ”ç©¶æ‰€ç¢©å£«è«–æ–‡ã€‚

å½­èƒé½¡ã€å¼µå¿…éš±(2000)。èªçŸ¥å¿ƒç†å­¸ã€‚臺北:æ±è¯ã€‚

å»–æ•如 (2001)ã€‚å¡‘è† æè³ªé€æ˜Žåº¦åœ¨ç”¢å“æ„ŸçŸ¥è¨­è¨ˆæ‡‰ç”¨ä¹‹æŽ¢è¨Žï¼Œå¤§è‘‰å¤§å­¸è¨­è¨ˆç ”ç©¶æ‰€ç¢©å£«è«–æ–‡ã€‚

簡麗如 (2003)。產å“ä¹‹ææ–™æ„象在感覺èªçŸ¥ä¹‹ç ”ç©¶â€”ä»¥æ¡Œç‡ˆç‚ºä¾‹ã€‚æ±æµ·å¤§å­¸å·¥æ¥­è¨­è¨ˆç ”究所碩士論文

柯超茗 (1997)ã€‚ææ–™è¦–覺與觸覺質感æ„è±¡çš„ç ”ç©¶ï¼Œåœ‹ç«‹é›²æž—ç§‘æŠ€å¤§å­¸å·¥æ¥­è¨­è¨ˆç ”ç©¶æ‰€ç¢©å£«è«–æ–‡ã€‚

張文裕 (2005)ã€‚æ··åˆæè³ªåœ¨è¦–è§¸è¦ºä¸Šä¹‹å·®ç•°æ€§ç ”ç©¶ã€‚å¤§è‘‰å¤§å­¸å·¥æ¥­è¨­è¨ˆç³»ç¢©å£«è«–æ–‡ã€‚

呂明泉 (2002)。視覺與觸覺æ„è±¡å·®ç•°ç ”ç©¶ï¼å¡‘è† å’¬èŠ±ï¼Œç¢©å£«è«–æ–‡ï¼ŒæˆåŠŸå¤§å­¸å·¥æ¥­è¨­è¨ˆç ”ç©¶æ‰€ï¼Œpp.41.45-46。

游山逸 (2001)ã€‚éŸ³ç®±é€ å½¢èˆ‡éŸ³è³ªåœ¨è¦–è¦ºä¸Šä¹‹é—œä¿‚ç ”ç©¶ã€‚åœ‹ç«‹å°ç£ç§‘æŠ€å¤§å­¸è¨­è¨ˆç ”ç©¶æ‰€ç¢©å£«è«–æ–‡

è‘‰é‡æ–°ï¼ˆ2004)。心ç†å­¸ã€‚臺北:心ç†ã€‚