以符號學解讀電影《é€è¡Œè€…》之生死哲學 / Interpret the Film’ Philosophy of Life by Semiotics: "Departures ─ The gift of last memories"

張志成 Chang, Chih-Cheng, 陳其澎 Chen, Chie-Peng

摘要


筆者因新冠疫情而çµè­˜å¤šä½ç”Ÿå‘½ç¦®å„€å¸«ï¼Œä¸¦å°ç¦®å„€å¸«é¡Œæä¹‹å–ªç¦®é›»å½±ç”¢ç”Ÿå¥½å¥‡ï¼Œæ•…舉《é€è¡Œè€…:禮儀師的樂章》為例,å°å…¶æ–‡æœ¬é€²è¡Œè§£æ§‹ï¼Œä»¥å…§å®¹åˆ†æžæ³•將故事情節進行編碼ã€çµ±è¨ˆï¼›å†ç¶œåˆé‹ç”¨å°ˆå®¶è¨ªè«‡èˆ‡ç„¦é»žåœ˜é«”法é‡å°ç¬¦è™Ÿæ„象進行歸ç´ï¼Œä¸¦è©®é‡‹ç¬¦è™Ÿå»¶ä¼¸çš„æ·±å±¤æ„è­˜å½¢æ…‹ç‚ºä½•ã€‚ç ”ç©¶çµæžœç™¼ç¾ï¼Œæ¨£æœ¬çš„æ•˜äº‹çµæ§‹å»ºç«‹åœ¨å¥½èŠå¡¢ä¸‰å¹•劇ã€Block四階敘事ã€Todorov五階敘事ã€Proppå…­éšŽæ•˜äº‹ã€æ—¥æœ¬èƒ½åŠ‡æ•˜äº‹çµæ§‹ä¹‹ä¸Šï¼›è¡çªå¼·åº¦çš„走勢亦符åˆPatmore的戲劇曲線ç†è«–。符號則歸ç´å‡ºã€Œéœ™ï¼›å¤§æç´èˆ‡çŸ³é ­ä¿¡ï¼›è›†ï¼›ç« é­šã€é®­é­šã€é³¥ï¼›æ«»èŠ±ã€æµ´å ´ã€ç­‰å…·ç”Ÿæ­»æ„è±¡ä¹‹ç¬¦è™Ÿï¼ŒåŒæ™‚得出深層æ„識型態為日本侘寂哲學─「活在當下。探索ä¸å®Œç¾Žçš„美好,接ç´ç”Ÿå‘½çš„起與è½ã€‚ã€

 

 

During the COVID-19, the author got to know many life ritualists and became curious about funeral movies about ritualists. Therefore, this article takes "Departures - The gift of the last memories" as an example to deconstruct its text and use content analysis and comprehensive application of experts. Interviews and focus groups were the research methods. The research results show that the narrative structure of the sample is based on the narrative structure of Hollywood three-act drama, Block, Todorov, Propp, and Japanese Noh drama; the trend of conflict intensity is also consistent with Patmore's dramatic curve theory. The symbols summarized symbols with images of life and death such as "sleet; cello and stone letters; maggots; octopus, salmon, birds; cherry blossoms, bathhouses". At the same time, it was concluded that the underlying ideology is the Japanese Wabi-Sabi philosophy - "Exploring the beauty of imperfection and accept the ups and downs of life.


關鍵詞


符號學; 敘事結構; 衝突強度; 侘寂; 喪禮電影

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