原住民當代舞蹈數位展演創作研究-以「光-Millet」小米說浮空投影為例 / Indigenous Contemporary Dance Digital Exhibition Design and Creation - A Case Study of "Light-Millet" Floating Projection of 'Millet Speaks'

摘要

近年來原住民文化藝術展演課題備受重視，加上數位科技的演進趨勢，使得數位導入應用於文化展演之形式，逐漸影響了大眾觀展的驚喜感與體驗方式，例如：投影技術、互動裝置、AR和VR等將科技與藝術的結合應用方式，也為當代文化藝術展演提供了多元的表現形式。故數位科技與藝術的結合是彼此依存的，因此本研究試圖以數位投影技術作為展演創作之方式，藉由雙鑽石設計思考法模型，結合內容、形式、呈現架構，提出「數位應用展演設計思考法」，依此方法進行原著民當代舞蹈藝術-「光-Millet」小米說之浮空投影展演設計創作，並做參觀者的觀後問卷。期望本研究創作研究歷程可作為原住民小型樂舞團體展演之參考。

In recent years, the presentation of indigenous cultural arts has garnered significant attention. With the rapid evolution of digital technology, integrating digital elements into cultural performances has gradually transformed the audience’s sense of surprise and experience. Examples of this integration include projection technology, interactive installations, AR, and VR, all of which combine technology with art, offering diverse forms of expression for contemporary cultural and artistic performances. The fusion of digital technology and art is interdependent, and this study seeks to utilize digital projection technology as a method of performance creation. Using the Double Diamond Design Thinking model, it combines content, form, and presentation structure to propose a “Digital Application Exhibition Design Method.” This method was applied in creating a holographic projection exhibition for the contemporary indigenous dance piece “Light - The Story of Millet.” An audience feedback survey was conducted after the performance. The research aims to provide a reference for small-scale indigenous dance and music troupes in their future performances.