åŽŸä½æ°‘當代舞蹈數ä½å±•演創作研究-以「光-Milletã€å°ç±³èªªæµ®ç©ºæŠ•影為例 / Indigenous Contemporary Dance Digital Exhibition Design and Creation - A Case Study of "Light-Millet" Floating Projection of 'Millet Speaks'

盧麗淑 Li-Shu Lu, 陳冠綸 Guan-lun Chen

摘要


è¿‘å¹´ä¾†åŽŸä½æ°‘文化è—術展演課題備å—é‡è¦–,加上數ä½ç§‘技的演進趨勢,使得數ä½å°Žå…¥æ‡‰ç”¨æ–¼æ–‡åŒ–展演之形å¼ï¼Œé€æ¼¸å½±éŸ¿äº†å¤§çœ¾è§€å±•的驚喜感與體驗方å¼ï¼Œä¾‹å¦‚:投影技術ã€äº’å‹•è£ç½®ã€ARå’ŒVR等將科技與è—è¡“çš„çµåˆæ‡‰ç”¨æ–¹å¼ï¼Œä¹Ÿç‚ºç•¶ä»£æ–‡åŒ–è—術展演æä¾›äº†å¤šå…ƒçš„表ç¾å½¢å¼ã€‚故數ä½ç§‘技與è—è¡“çš„çµåˆæ˜¯å½¼æ­¤ä¾å­˜çš„ï¼Œå› æ­¤æœ¬ç ”ç©¶è©¦åœ–ä»¥æ•¸ä½æŠ•å½±æŠ€è¡“ä½œç‚ºå±•æ¼”å‰µä½œä¹‹æ–¹å¼ï¼Œè—‰ç”±é›™é‘½çŸ³è¨­è¨ˆæ€è€ƒæ³•模型,çµåˆå…§å®¹ã€å½¢å¼ã€å‘ˆç¾æž¶æ§‹ï¼Œæå‡ºã€Œæ•¸ä½æ‡‰ç”¨å±•演設計æ€è€ƒæ³•ã€ï¼Œä¾æ­¤æ–¹æ³•進行原著民當代舞蹈è—è¡“-「光-Milletã€å°ç±³èªªä¹‹æµ®ç©ºæŠ•影展演設計創作,並åšåƒè§€è€…的觀後å•å·ã€‚期望本研究創作研究歷程å¯ä½œç‚ºåŽŸä½æ°‘å°åž‹æ¨‚舞團體展演之åƒè€ƒã€‚

 

 

In recent years, the presentation of indigenous cultural arts has garnered significant attention. With the rapid evolution of digital technology, integrating digital elements into cultural performances has gradually transformed the audience’s sense of surprise and experience. Examples of this integration include projection technology, interactive installations, AR, and VR, all of which combine technology with art, offering diverse forms of expression for contemporary cultural and artistic performances. The fusion of digital technology and art is interdependent, and this study seeks to utilize digital projection technology as a method of performance creation. Using the Double Diamond Design Thinking model, it combines content, form, and presentation structure to propose a “Digital Application Exhibition Design Method.†This method was applied in creating a holographic projection exhibition for the contemporary indigenous dance piece “Light - The Story of Millet.†An audience feedback survey was conducted after the performance. The research aims to provide a reference for small-scale indigenous dance and music troupes in their future performances.


關鍵詞


原住民舞蹈藝術; 數位展演設計思考; 浮空投影; 紗幕材質

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