åŽŸä½æ°‘當代舞蹈數ä½å±•æ¼”å‰µä½œç ”ç©¶-以「光-Milletã€å°ç±³èªªæµ®ç©ºæŠ•影為例 / Indigenous Contemporary Dance Digital Exhibition Design and Creation - A Case Study of "Light-Millet" Floating Projection of 'Millet Speaks'
摘要
è¿‘å¹´ä¾†åŽŸä½æ°‘文化è—術展演課題備å—é‡è¦–ï¼ŒåŠ ä¸Šæ•¸ä½ç§‘技的演進趨勢,使得數ä½å°Žå…¥æ‡‰ç”¨æ–¼æ–‡åŒ–展演之形å¼ï¼Œé€æ¼¸å½±éŸ¿äº†å¤§çœ¾è§€å±•的驚喜感與體驗方å¼ï¼Œä¾‹å¦‚:投影技術ã€äº’å‹•è£ç½®ã€ARå’ŒVRç‰å°‡ç§‘技與è—è¡“çš„çµåˆæ‡‰ç”¨æ–¹å¼ï¼Œä¹Ÿç‚ºç•¶ä»£æ–‡åŒ–è—術展演æä¾›äº†å¤šå…ƒçš„表ç¾å½¢å¼ã€‚故數ä½ç§‘技與è—è¡“çš„çµåˆæ˜¯å½¼æ¤ä¾å˜çš„ï¼Œå› æ¤æœ¬ç ”ç©¶è©¦åœ–ä»¥æ•¸ä½æŠ•å½±æŠ€è¡“ä½œç‚ºå±•æ¼”å‰µä½œä¹‹æ–¹å¼ï¼Œè—‰ç”±é›™é‘½çŸ³è¨è¨ˆæ€è€ƒæ³•模型,çµåˆå…§å®¹ã€å½¢å¼ã€å‘ˆç¾æž¶æ§‹ï¼Œæå‡ºã€Œæ•¸ä½æ‡‰ç”¨å±•æ¼”è¨è¨ˆæ€è€ƒæ³•ã€ï¼Œä¾æ¤æ–¹æ³•進行原著民當代舞蹈è—è¡“-「光-Milletã€å°ç±³èªªä¹‹æµ®ç©ºæŠ•影展演è¨è¨ˆå‰µä½œï¼Œä¸¦åšåƒè§€è€…的觀後å•å·ã€‚æœŸæœ›æœ¬ç ”ç©¶å‰µä½œç ”ç©¶æ·ç¨‹å¯ä½œç‚ºåŽŸä½æ°‘å°åž‹æ¨‚舞團體展演之åƒè€ƒã€‚
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In recent years, the presentation of indigenous cultural arts has garnered significant attention. With the rapid evolution of digital technology, integrating digital elements into cultural performances has gradually transformed the audience’s sense of surprise and experience. Examples of this integration include projection technology, interactive installations, AR, and VR, all of which combine technology with art, offering diverse forms of expression for contemporary cultural and artistic performances. The fusion of digital technology and art is interdependent, and this study seeks to utilize digital projection technology as a method of performance creation. Using the Double Diamond Design Thinking model, it combines content, form, and presentation structure to propose a “Digital Application Exhibition Design Method.†This method was applied in creating a holographic projection exhibition for the contemporary indigenous dance piece “Light - The Story of Millet.†An audience feedback survey was conducted after the performance. The research aims to provide a reference for small-scale indigenous dance and music troupes in their future performances.
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